"The Preludio was played freely, as though improvised, while the Fuga was unusually delicate."
—New York Times
"Nature's real theater was rendered superfluous by the rich color and drama coaxed from this all-too-familiar piece."
—Willamette Week
"Icy, Raw Velocity"
—Willamette Week
"Carrettin's elegant podium technique and lack of histrionics were engaging, not to mention his obvious background in all orchestral music ranging from baroque to contemporary."
—Lafayette Journal and Courier